Actually the plan was a different one …

– it had been early in February, and the plan was to enjoy the ease of a Jazz-concert. But it should not be that way, the venue was cramped when we arrived – trotting along for a while, not knowing what to do … .

‘The Pinakothek, is it still open?’

She asked and I replied I would think so …, until eight. So it gave us about one hour. We entered the Neue Pinakothek …

You enter at the end?

the man from the security service asked.

It does not really matter

I replied when we showed the annual tickets

We can come any time, and we can come often. In this way there is no real beginning, no real end. Coming here is a kind of never ending story.

Walking into the first room I had been asked

Which paintings do like especially?

I went directly to some favourites – favourites this day, this time, this hour …Claude Monet’s La Seine à Argenteuil [1874]; Édouard Manet’s Claude Monet in Argenteuil [1874]. We talked about forms and ways of detachment and engagement – and even detachment as engagement. We talked about the here and there – wasn’t detachment, as understood by the late realists/early impressionists, so very different from the detachment by the Nazareni, we had seen the other day when looking at F.W. von Schadow’s Die Heilige Familie unter dem Portikus.

We moved on – I wanted to point on another difference – that between the Monet/Manet and here now to Liebermann, and Menzel. But again, it should not be that way. – Gotthard Kuehl’s Vor der Schicht [ca 1895/99] caught her attention. After a while, talking, looking for appropriate terms that would make it accrues the language hurdle, I stepped back – we stepped back … .

If you can chose, which one will you take with you?

Asking this question, I pointed on Kuehl’s painting, Liebermann’s Münchner Biergarten [1884] and his Badende Jungen [1898]. But I did not strictly oppose when my friend was cheating a bit, turning around and finally drew me to Fritz von Uhde’s Schwerer Gang [1890].

Such dark, grey painting?

There was not much hesitation

Yes, overall, sad and dark, but because they are together, and … There is a far-flung looking light.

I like it because it’s not sad

Much later, after a chat over a Bavarian Pils, we walked together to the Metro – when we parted, she left me with a thought … – her thought? my thought? or our thought? A thought which is too large for one, even fore two people alone and still has to be dealt with by each of us – alone and in being together. I had been Andre Vltchek’s thought of being Scared, Therefore I am Brave!

When the desire for knowledge becomes truly overwhelming, one simply cannot stop, or slow down. The only way is to go forward, to absorb knowledge, to fight for attaining knowledge, to see the world, to understand, to feel, to listen; passionately and consistently. No fear can deter us, when we are avidly searching for truth. It is so proud, so brave, this desire to know!

When we feel ‘unbearable pity for the suffering of mankind’, when we witness how unjust is the arrangement of this world, when we truly internalize the suffering of others, of our fellow human beings living on all the continents of this beautiful but battered planet, then almost all of us, or at least those who are humanists in their core, become courageous, and brave. They suddenly know what has to be done.

As for ‘the longing for love’, it is there, it is always there, in all of us, in all human beings. To fight for love, when it comes, is brave, and to die for it, if risking all is the only way to save it, is courageous. That ‘longing for love’ is the most humble, most sacred, the most essential part of our nature, so rarely satisfied. It takes courage to love; it takes tremendous, indescribable courage!

I am wondering if there is anything like ‘energising paralysis’ – Mia Eta …. – At least there is now the time to say goodbye, moving on …, and sadly leaving, having lost sight of light since a while in the frictions of different excise – and only seeing glimpses, sparkling and floating for some time, only striving to overcome numerification.

… We can come any time, and we can come often. In this way there is no real beginning, no real end. Coming here is a kind of never ending story … – and this means at the end to stay even if parting. Good Bye, Farewell, See you …- thirteen minutes until the train leaves …

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